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The McNay awarded for giving professional opportunities for art enthusiasts of all ages

San Antonio, Texas. ART Magazine.
It might seem like being a guard at a museum is an easy task, but it requires a professional individual and much more than keeping the visitor’s hands off the artwork. Guards in many museums are often times professional individuals with a deep passion for the arts. Artists such as Jackson Pollock, Sol LeWitt, Dan Flavin and Brice Marden spent some of the early years of their careers as museum guards. As a matter of fact, there is a well-studied visibility problem in computational geometry that addresses security observation within the art gallery. There have been several studies about this art gallery problem, which only reinforces that being a museum guard is not as simple as it looks. In an article at the Los Angeles Times, Hylan Booker, a 72 year-old man who works as a guard at Los Angeles County Museum of Art, explains that a guard’s job goes beyond knowing where the bathroom is. He says: “Patrons are very demanding — they don’t care if you are a curator, they want to know, and you are supposed to know because you are standing in front of this stuff,” Booker continues. This profession welcomes art enthusiasts of all ages: from emerging artists to mature professionals who share the joy of being surrounded by art.
In 2008, Jim Jones, head of security at the McNay Art Museum, estimated he would need 30 to 35 additional officers when the museum’s new Stieren Center for Exhibitions opened. “I was looking for mature workers,” says Jones. “I wanted workers that had a sense of responsibility and professionalism and that would not be leaving constantly.”

Jones found them through a meeting with Eva Trevino Garcia, who heads the Bexar County AARP Foundation SCSEP (Senior Community Service Employment Program), a job-training program for struggling, unemployed older workers age 55 and over. Jones and Garcia discussed the museum’s needs and the type of worker he was seeking, and then they developed a training program for SCSEP to prepare enrollees to begin working as security officers in the new expansion. Garcia pre-interviewed and pre-screened each enrollee who might qualify for the positions and conducted assessment testing to ensure that each candidate had the necessary job skills.

Since that meeting in January 2008, Jones has hired 45 SCSEP participants as museum security officers. Former SCSEP participants currently fill 30 of the 40 security positions. “I truly found people that are dedicated to the job. They’re professional, they take pride in their work and our turnover has been exceedingly low. I just couldn’t be happier,” Jones said. The McNay has given the opportunity to unemployed senior professionals to continue striving in the professional sphere.

There is a cultural misconception that people over fifty are too old to work, when in reality they still have productive years ahead of them. “At a time when unemployed workers over 50 spend much more than any other age group – more than a year – looking for a new job, McNay Art Museum’s enthusiasm about the skills and training workers can bring to the job is especially heartening,” said Jo Ann Jenkins, president of AARP Foundation. The McNay Art Museum has received AARP Foundation’s Small Business Recognition Award for outstanding efforts in training and hiring workers age 50 and over. The annual award recognizes an employer who, despite the challenging economy, is actively recruiting, hiring and training older workers.

When docents and curators leave, the only thing left are museum guards. They spend their days looking at artwork building intimate relationships with their favorite pieces, artists, and techniques. If you have had the opportunity to work at a museum, you might be able to relate to this close relationship between the objects and yourself after spending some time in the galleries. A passion for the arts is often developed or present already within museum employees. That is why some museums like the Metropolitan Museum of Art have organized employee art shows in their galleries and give them an output for their daily inspiration.

 

Photo Credit: Ruperto Garcia

About the author  ⁄ Haydeé Muñoz De la Rocha

Haydeé Muñoz De la Rocha earned a Bachelor of Fine Arts in Sculpture and a Bachelor of Arts in Art History at the University of Texas at San Antonio. Haydeé studied painting in Florence, Italy under the internationally renowned artist Eva Rorandelli. She also had the honor to study under Malaquias Montoya, a major figure in the Chicano Art Movement of the 1960s-70s, at UTSA. Haydeé Muñoz is also an international art promoter. Last January, she directed the promotion of Pancho Villa’s “Last Saddle” auction throughout México. Last year, Muñoz curated and organized the international exhibition Mexico: Rolando Rojas, Amador Montes, and Daniela Sacramento. Muñoz is currently working on an MBA in International Business at the University of Texas at San Antonio. The Founder and Director of ART Magazine is also a conrtibutor for artdaily.org and Kindform.

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